Captain of the Dream Team

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Well, the Hot Rod is just that cliché. A post has, more or less, been missed.

Blame it on my shitty job. Blame it on the shitty weather. Blame it on the shitty tequila and the surprisingly-unshitty beer.

Personally, I blame it on the remarkable coziness of my bed and the fascinating nature of my dreams.

I can’t really remember what most of them were about, but the most interesting one featured a prominent character from my days in grade school.

It wouldn’t be entirely accurate to describe him as a jock. The connotations surrounding the term All-American fit much better, except that he’s (assumedly) not American. But I can’t say for certain.

Now I know what all—like, what?—six of you who are reading this are thinking: Was it a mercilessly visceral homage to the platonic ideal of male homoeroticism? Sadly, no. That would make too much sense, and probably be far less disturbing.

We had our clothes on. I believe we were in the blue hallway beside the main gym in our junior high school. My companion towered over me, as he always did, and beamed out his trademark positivity, as though his happiness core had reached a critical mass and was now killing everyone else in the school with its uncontainable radiation.

I’m pretty sure he said something, but I can’t remember the details. He was either going to help me achieve something or was proud of something I had achieved. And this made me feel phenomenal.

Have you ever ingested a shit ton of codeine?

Well his approval felt better than that.

And that’s when I woke up. And that’s as much as I remembered, before I laid back down to hopelessly chase the praise of someone with whom I’ve had no interaction in the last ten years. Besides, whatever it was about me that impressed him more than likely didn’t actually occur.

And a very large part of me suspects that anything my friend would’ve been proud of me for is not something that would likely make me proud of myself.

Perhaps most disturbing of all is this chain of bizarre encounters we must have had with each other in our dreams. It will have totally coloured our perceptions of one another based on chance meetings with brainwaves.

That, I suspect, is why we’ll most likely keep the smalltalk to a minimum if we ever see each other again.

Or maybe I’ll start keeping a dream journal and press my luck.

Rumble Seat (Episode 3)

Dubstep, Rumble Seat

Try as I might, I cannot seem to shake Terravita’s Up In The Club out of my head.

Terravita – Up In The Club (Clip)

It recently came on the radio as I was driving around with my aunt, and I don’t think she gets it. I’m not surprised that most people won’t appreciate it. Not because it’s a particularly-challenging piece of music, but because listening to it is like receiving a tongue-bath from an exuberantly-affectionate tiger. The main melody should be soundtracking an 8-bit dungeon of unconquerable magnitude.

While this adamant edge may serve a niche market in bass music, it is undeniably a highly-visible one. Aggression, or apparent aggression, tends to raise a few eyebrows. But I don’t see it as actively confrontational, like a strike fighter scouring an agrarian township for targets.

No.

I imagine it like a dragon lazing dreamily by a volcanic vent. Or a fuzzy, deadly-poisonous caterpillar. Passively dangerous. Although, if you consider yourself an agent of the imperial banality that Serj Tankian rightly described as “plastic existence”, then I concede that either one might seem just as threatening.

It’s for precisely this reason that I’m glad this razor-toothed motif isn’t a blanket for the entire genre. We’re all varied individuals, so I see no reason to terrify anyone into thinking otherwise.

Maybe this is why I have fallen in love with NumberNin6. To borrow an easily-accessible and cliché commonplace, his tracks paint with all the colours of the wind. Garbage is triumphantly abrasive, like covering the last, hard hundred miles with only second gear, while Absolve is like taking a satisfyingly-narcotic tube ride on a chocolate-strawberry milkshake in the heat of a still summer’s afternoon. It’s nearly impossible to pick a favourite, but seeing as I am forcing myself to do it, it’ll have to be Nebulous.

NumberNin6 – Nebulous

Like a smoke grenade spiked with salvia, it’s brutally transcendent. It’s like a deal with the devil. It sounds great and seems increasingly reasonable the more you listen to it, which only makes it more terrifying.

While that would be a deliciously-cryptic thought on which to end, I have begun to establish something of a pattern of posting three tracks. At the moment, I’m only at one and a third. Although I’m rounding it up to two. Because I make the rules here.

That being said, I’ve been wanting to mention The Others’ Off The Wall and Sluggo & Symbl’s Sharks Don’t Sleep, but had no idea how I would work them in with anything resembling artistry. Seeing as I’ve just surrendered my pursuit of that to the necessity of lunch and laundry, there’s definitely no time like the present to tackle this problem. Deciding between the two of them might have been difficult, but only one of them was on SoundCloud. And that seems like a legitimate tiebreaker to me.

Sluggo & Symbl – Sharks Don’t Sleep

Cold Comfort

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I definitely have a few regrets. Most of the specifics are stories for another time. Some of them are off topic in a hopelessly-irrelevant fashion while others might single me out of a police line-up.

Anonymity is a problematic issue. Those of us aspiring to honesty are inclined to surrender it. However, if we lack the patience for the unduly-continual process of scrutiny and censure—boards, panels, committees, reports, reviews, diagnoses, citations, tickets, courts, rulings, prisons and permanent records—the willful omission of questionably-relevant details can be regrettably prudent.

It is an unfortunate corner in which we find ourselves.

The case of Andrew Feldmar has never sat well with me. He’s a psychologist who employed LSD in some select treatments, and lacked enough foresight to write an article about it. US Customs Agents read it on the internet, and now Feldmar can’t visit his grandchildren.

As near as I can figure, the only sensible lesson we can learn from this is not to incriminate ourselves on Google. At least insofar as we can help it.

I am left standing here holding truths that may put me at odds with one authority or another—the actual police or maybe just my mom’s church friends. Either force can make my life extremely unpleasant. Having previously declared my intention to distill spirits without a permit, the only license in which I place any faith is artistic.

My experiences may or may not be legitimate. My intentions may or may not be serious. My persona may or may not be real. That uncertainty is more personal than any of my uniquely-identifying particulars.

After all, what is objective truth but the dismissal of subjective experience?

We can bleach our character with countless white lies or just take the label off the waistband and forget about the stains. But until the winds change, which I sincerely and earnestly believe they will, I can’t argue against bundling up.

He’s OK!

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Don’t you just love it when people establish the relevance of their positions with phrases like, “There’s been a lot of talk about my topic lately” or “Don’t you just love it when people establish the relevance of their positions with some circularly-logical premise”?

It makes me wonder whether or not Andy Rooney is still alive.

Since X-Files left the airwaves I haven’t had cause to crowd around the TV on Sunday nights, and I miss the comfortably-challenging insights of that meanderingly-ponderous complainant. I would be lying if I said he wasn’t deserving of a citation somewhere in my pantheon of personal heroes. And I don’t fancy myself a liar.

I imagine Andy Rooney to be the triumphant revitalization of Atticus Finch after he suffered a uniquely-curious brain injury in a particularly-disturbing motor vehicle collision. The other driver was obviously at fault. Atticus Finch had a sterling driver’s abstract. And I don’t think Andy Rooney ever got his license back.

Brain injury is no laughing matter. Unless that’s exactly what it happens to be. It’s funny that way.

But it seems to me that when Andy Rooney dies—if he hasn’t already—he will part with fewer regrets than Atticus Finch.

Rumble Seat (Episode 2)

Burning Man, Dubstep, Glitch, Hip Hop, Progressive, Rumble Seat

Most of our lives will be spent missing amazing stuff. Hopefully because we’re too preoccupied with the other wonders around us.

Despite being aware of Mark Instinct’s existence, his talents haphazardly eluded my specific interest until alarmingly recently. That’s very unfortunate, because his remix of City Lights could have been a near-perfect anthem for Burning Man 2010, given the festival’s Metropolis theme.

Method Man & Redman feat. Bun B – City Lights (Mark Instinct & Symbl Bootleg)

The tenacious summon of Black Rock City has finally hit me. I don’t know if it was the facebook invite or the nostalgic perusal of Rockstar Librarian’s 2010 Music Guide, but something did it. I would have no qualms about returning to that frustratingly-magical moonscape, but it’s a commitment of a couple weeks and a couple grand. Which is a Brobdingnagian hurdle when I can’t even make my way out of my parents’ basement.

Although that’s not strictly true. I’m typing this in the basement, but I live in a room upstairs like a civilized member of the family. I say I live in the basement because it establishes a certain standard of intrigue. Basement dwellers might imagine themselves to be Dwarves or CHUDs. But, alas, it is a lie. I am not so mysterious. I’m just a dude who wants to get functionally drunk—or drunktional—in an enveloping dust while leering at sweat-polished hippie chicks.

That’s not the entirety, or even primary substance, of The Burn’s allure, though. It’s not in what you experience, or what you may likely experience again, but mostly what you don’t experience. The eponymous Burning Man, for example, was lit ablaze while themelondecoratif and I were having coffee with a crack team of hairstyling ninjas from Reno. And I have no regrets, because that surreal happenstance can never be replicated.

But another man will burn. I plan to see it, unless something else comes up. And I’m sure it will. I ignorantly missed R/D while committing myself to the merciless heckling of cyclists. Those hypocritical motherfuckers jump at the chance to be as inconsiderate of pedestrians on the playa as motorists are of them on public roads. Thankfully, this information superhighway accommodates us all, and it’s headlined my iPod with mixes from artists I missed in the desert.

Eastern Sun & Oscure – Third Eye High (R/D Remix)

I first encountered this sublime remix on Kraddy’s Dirty Got Soul, but due to the fact that it is woefully underlabelled in the track listing, I wasn’t able to correctly identify it until it showed up in R/D’s Forward Slash. Both mixes are superb, yet this track towers up out of them like, I don’t know, a gigantic burning man in the middle of a desert.  It’s definitely not to be missed. Trust the guy who missed the burning man and every set Jody Wisternoff played at the festival. He probably played this track, which I later discovered as the highlight of his Burning Man Mix:

Oliver Koletzki & Fran – Arrow & Bow (Marek Hemmann Remix)

The bassline gives the impression that you’ve been caught inside a wormhole and shrunk down to an infinitesimal point cycling back and forth through time along the release of an actual bowstring. Even though I could, I wouldn’t make it my mission to disagree with you if you posited the bassline as the track’s only innovative ace. But I wouldn’t need to, because the purpose of a good progressive track is not so much to surprise as it is to delight, and this one does so with supreme ease. Savour it long after your graduate-level reading skills have blown you past my closing thoughts.

As I move forward with this feature, I hope to remain entertaining while consistently presenting badass beats. While I am secretly confident in my ability to fail miserably at the former, I am—contrary to my initial fears—building a generous backlog of the latter.

Failing to share most of the world’s beauty with you, dear readers, will be my pleasure.